The Tower of Babel
- Title: The Tower of Babel
- made of: Pieter Bruegel the Elder
- date created: 1563
- Style: flemish Mannerism
- Provenance: Collection of Emperor Rudolf II.
- Inventory Number: GG 1026
- physical dimension: w155 x h114 cm
- Type: painting
- Medium: Oil on Wood
King Nimrod, who appears as builder
along with his entourage at the bottom left of the painting, is not mentioned in the biblical text. Only the Jewish historian Flavius Josephus, who collaborated with the Romans, combined records from different sources to create the legend that became accepted (Antiquitates Judaica I,4; 93–94 AD).
In the book illumination of the Early and High Middle Ages, local buildings that were less than monumental were used as models for the architecture of the Tower of Babel. Starring in the 16th century, artists orientated themselves on the Mesopotamian type of step-shaped ziggurat (temple tower), which, however, was rectangular rather than round. Bruegel’s monumental composition had several forerunners in Netherlandish painting, but his work became the most famous classic among the Tower of Babel depictions and was frequently copied in many different variations. The sense of scale is provided by the flemish-style port city, which is impressively tiny in comparison to the tower. With meticulous precision and encyclopaedic interest Bruegel depicts an abundance of technical and mechanical details, from the supply of the building materials in the busy harbour to the various cranes and the scaffolding on the unfinished brick foundation. He sets the workers’ dwellings into the stone outer structure, which blends elements of classical with Romanesque architecture, and they appear to be more than merely temporary. By anchoring the building on the rocky slope, Bruegel creates the impression of static equilibrium. Reaching up to the clouds, the building, however, is optically distorted and appears to have slightly sunk into the ground on the left side. This is an artistic gesture, on the one hand enhancing the impression of the building’s monumentality, and on the other hand alluding to human hubris and the impossibility of completing the tower because “the Lord confused the language of all the earth”. (Gen. 11:9.)
© Cäcilia Bischoff, Masterpieces of the Picture Gallery. A Brief Guide to the Kunsthistorisches Museum, Vienna 2010
Etymology
Composition
Genre
The narrative of the tower of Babel Genesis 11:1–9 is an etiology or explanation of a phenomenon. Etiologies are narratives that explain the origin of a custom, ritual, geographical feature, name, or other phenomenon (Coogan, Michael D. (2009). A Brief Introduction to the Old Testament: the Hebrew Bible in its Context. Oxford University Press. ISBN 9780195332728.):426 The story of the Tower of Babel explains the origins of the multiplicity of languages. God was concerned that humans had blasphemed by building the tower to avoid a second flood so God brought into existence multiple languages.(Coogan, Michael D. (2009). A Brief Introduction to the Old Testament: the Hebrew Bible in its Context. Oxford University Press. ISBN 9780195332728.):51 Thus, humans were divided into linguistic groups, unable to understand one another.
Themes
The story's theme of competition between God and humans appears elsewhere in Genesis, in the story of Adam and Eve in the Garden of Eden (Harris, Stephen L. (1985). Understanding the Bible: A Reader's Introduction. Palo Alto: Mayfield. ISBN 9780874846966.). The 1st-century Jewish interpretation found in Flavius Josephus explains the construction of the tower as a hubristic act of defiance against God ordered by the arrogant tyrant Nimrod. There have, however, been some contemporary challenges to this classical interpretation, with emphasis placed on the explicit motive of cultural and linguistic homogeneity mentioned in the narrative (v. 1, 4, 6) (Hiebert, Theodore (2007). "The Tower of Babel and the Origin of the World's Cultures". Journal of Biblical Literature. 126 (1): 29–58. doi:10.2307/27638419. JSTOR 27638419). This reading of the text sees God's actions not as a punishment for pride, but as an etiology of cultural differences, presenting Babel as the cradle of civilization.
Authorship and source criticism
Jewish and Christian tradition attributes the composition of the whole Pentateuch, which includes the story of the Tower of Babel, to Moses. Modern Biblical scholarship rejects Mosaic authorship of the Pentateuch, but is divided on the question of its authorship. Many scholars subscribe to some form of the documentary hypothesis, which argues that the Pentateuch is composed of multiple "sources" that were later merged. Scholars who favor this hypothesis, such as Richard Elliot Friedman, tend to see the Genesis 11:1-9 as being composed by the J or Jahwist/Yahwist source (Friedman, Richard Elliot (1997). Who Wrote the Bible?. Simon & Schuster. p. 247. ISBN 0-06-063035-3.). Michael Coogan suggests the intentional word play regarding the city of Babel, and the noise of the people's "babbling" is found in the Hebrew words as easily as in English, is considered typical of the Yahwist source (Coogan, Michael D. (2009). A Brief Introduction to the Old Testament: the Hebrew Bible in its Context. Oxford University Press. ISBN 9780195332728.):51 . John Van Seters, who has put forth substantial modifications to the hypothesis, suggests that these verses are part of what he calls a "Pre-Yahwistic stage" (Coogan, Michael D. (2009). A Brief Introduction to the Old Testament: the Hebrew Bible in its Context. Oxford University Press. ISBN 9780195332728.). Other scholars reject the documentary hypothesis all together. The "minimalist" scholars tend to see the books of Genesis through 2 Kings as written by a single, anonymous author during the Hellenistic period. Philippe Wajdenbaum suggests that the Tower of Babel story is evidence that this author was familiar with the works of both Herodotus and Plato (Wajdenbaum, Philippe (2014). Argonauts of the Desert: Structural Analysis of the Hebrew Bible (Copenhagen International Seminar). Routledge. pp. 110–112. ISBN 978-1845539245).
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